Divinity Original Sin 2: Best Abilities for a Beginner > 자유게시판

• 목록
• 답변
• 글쓰기
• 게시판 리스트 옵션
  • 수정
  • 삭제

Origin characters are ready-made characters that have their own base personality and backstory. These characters include Beast, a dwarf who led a failed rebellion against the queen, Fane, an undead human who woke up with the world he knew long gone, Ifan ben-Mezd, a human who was a crusader who lost his faith and has become a Lone Wolf mercenary, Lohse, a star chanteuse whose body is now host to a mysterious entity who makes its presence known at inopportune times, The Red Prince, a brilliant warrior general who was exiled for cavorting with demons, and Sebille, an elf slave turned assassin who hunts her former master. While certain classes make more sense for these character's history, the player is free to change their build into whichever one they wish to play as. The Origin characters can also be recruited into the player's party, and their presence will activate origin events the player can engage in specific situations and they also open up certain dialog options. When recruiting them, changing their class is worked into the dialog so the player has a lot of customization options in their party. The player can also split up the party if they want to have someone do some sneaking around alone or divide the party into two groups of two, which is easily done by moving the portraits of the character in the upper left hand corner.

On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.

The player can create the Chemical Warfare Grenade from an Empty Cannister and Intestines. This grenade will inflict the Diseased status on an enemy for four turns and deals poison damage, which can be useful in the early game. Intestines are found on corpses, and players may also buy them from trad

Crafting in Divinity Original Sin 2 is a fascinating feature in that some players can go most of the game without knowing it even exists. The knowledge that is indeed in the SLG Game Updates, and understanding how to use crafting can make getting through the game a little easier. Crafting can be offputting in any series as there's a lot of trial and error involved and not always enough payoff for the effort invested. It's helpful to know in advance what recipes are going to really help give the player the edge over their enem

Limited hands on time with the early build of Divinity: Original Sin II can only paint a very limited picture of what will be forthcoming in the sequel, but the information available should assure fans of the original that they can remain optimistic about what is to come. The enormous world and the near limitless freedom to explore it returns, as will the lauded combat system. Veterans of the original will feel at home in combat, though several improvements have been added.

A cult known as the Divine Order has been hunting down users of Source and locking them up for reasons heretofore unknown. The player steps into the role of a Sourcerer captured by this cult and is now on a ship headed to the island prison, Fort Joy. While en route, a huge Voidwoken Kraken demolishes the ship. The player's Sourcerer pulls through and now has to figure out what destiny intends for them by seeking out the Divine Or

There are many treasures and interesting hidden encounters on the island and a good portion will be missed if the player is fixated on only solving the quest that is supposed to lead to the escape from Fort Joy. Original Sin II gives the player a lot of freedom in regards to their play style and how they want to interact with NPCs, but remember that every action carries its own consequence. During the review play through, Fane started peaceful and diplomatic with all magisters and other NPCs lurking about Fort Joy and always sought a non violent solution for each encounter, that is until one particular incident happened. A cat had decided to follow us, and even thought with the Pet Pal talent he didn't speak very much he was a friendly companion. During some exploration of Fort Joy Fane and his companions came near a locked gate, they weren't causing any trouble and guards told us to step away. As we started to take our leave a guard shot an arrow at the cat without provocation killing it instantly. These guards then saw a display of poison and fire that left their charred, broken corpses arranged in a display that would make John Wick proud. A well timed autosave from not even five minutes prior allowed for a load where the feline companion was back good as new, but this time Fane was getting on the other side of that gate, and these same guards were preemptively killed again before they could bring any harm to the cat. This had a slight impact in how the magisters viewed us in town, so from this point on the play shifted to a much more aggressive style that was intolerant of magisters.